No.319502
>>319499
and you're a useless Aids infected asshole
No.319503
Someone gave me the whole trilogy on DVD years ago but I've never watched it. It may actually still be in the shrink wrap.
No.319504
movie is about mk ultra sleeper agents
No.319514
>Be most valuable assassin in the history of planet Earth
>Find my kill target
>It's the one black father that actually lives with his kids
Nope. I'll spare this one.
No.319551
>>319514The irony is the niglets weren't his daughters.
>Did you ID a mother, soldier?They were child sex slaves which was the whole point of being on the yacht in the first place.
He was such a good goyim that he thought they were his kids.
No.319580
>You want to make me kill a white guy, fine.
BANG
>You want to make me kill niggers? I reach my breaking point.
I love how the nigger shoots him in the back.
Where the fuck was Bourne going to go when he jumped off the boat?
No.319584
>>319580I never watched any of those movies, but I guess you're being serious.
No.319611
>>319584During his training, he was tested and told to kill a guy. You can tell he's white but he is bagged over the head. It's like whites are anonymous and disposable. Unlike niggers, when he's on the boat, the nigger has an identity and is surrounded by female minor niglets. His conscience takes over, and he doesn't kill him. He just turns his back to jump off the boat. Nigger shoots him multiple times.
No.319612
And he still thinks the nigger did nothing wrong and he has to apologize for all his sins if they're committed against white women and niggers.
No.319629
>>319628I hate that tranny.
No.319631
>>319629Emojjtroon loves her
No.319839
up
No.319842
the
No.320070
>>320055god i need a qt kstew gf
No.320076
>>320055>>320070She's unattractive and also burned coal in a movie.
No.320100
>>320076you're unattractive and burn coal irl
No.320118
>>320075nazi incel that calls others "incel."
No.320121
Born Cynical
By Armond White
Already obsolete, last decade's financially successful Bourne trilogy-The Bourne Identity (2002), The Bourne Supremacy, (2004), The Bourne Ultimatum, (2007)-needed re-booting to suit the new administration's political pragmatism (the persistence of foreign policies and espionage strategies once deemed unpopular). But the series' awful rote cynicism (characterizing ruthless, degenerate American identity) was powered by Bush-hatred more than the Robert Ludlum source novels. The films were part of the post-2000 election political contempt and national self-loathing that now proves too strong to die. It infects self-congratulatory Hollywood to this day-and so deeply that it even ruins Tony Gilroy's amped-up attempt to turn the Bourne series' anomie into a love story.
This time Matt Damon's paradigmatic Bourne is replaced by another rogue agent Aaron Cross/ Kenneth Kitsom (Jeremy Renner) put on the kill list by noxious CIA chief Byer (Edward Norton), along with several other players-all Bourniacs who embarrass the Agency's mission.
Sinister Byer explains "We're Sin-Eaters. We are morally indefensible and absolutely necessary." His bromide's directed at personnel who missed A Few Good Men and can't handle the truth such as government scientist Marta Shearling (Rachel Weisz) who previously drugged agents as part of a diabolical plan to dope-up super spies .When Cross/Kitsom contacts Marta about his addiction, she's survived an in-house massacre (having also been put on the kill list) and the two renegades-rebelling against the system-fall in love. It's mutual anti-Americanism.
This kind of neo-noir, replete with political skepticism and action-movie blatancy, isn't simply sentimental. It mixes romance, violence and cynicism. Its hypocritical message: "Don't trust the government" even if you're both killers in love. He's a vet of Operation Iraqi Freedom (still wearing his damaged youth face from The Hurt Locker plus the pugilist fatigue of Daniel Craig's Bond); she's interested in "Behavioral designs, programmable behavior," though she never resolves her part in the death of a hunky agent. Gilroy is interested in genre mechanisms (including a Sunset Boulevard floating narrator reference) not human interrelations. He shows career-best kinetic skill (more than past Bourne directors); still, the franchise feels empty.
During the big laboratory massacre scene, we don't know the characters being slain, it's just a bloodbath. The climactic motorcycle chase features James Newton Howard's Morriconesque music score but the action is just a meaningless workout with more anonymous killings. The Bourne films pretend political sensitivity but Gilroy doesn't seem to care about the humanity of the characters he kills off. Strange that Hollywood is attracted to Borne ciphers who kill without feeling; the condemnation of political butchers bounces back on Hollywood.
No.320128
>>320121ArmondWhitefag is the king of /tv/.
No.325685
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No.325686
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No.327502
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No.327503
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No.327504
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No.327505
YouTube embed. Click thumbnail to play.
No.329289
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No.329306
>>319611I could totally believe that, though. It makes the film more realistic. All americans, especially U.S. Army Soldiers
(An Army Of One) behave in this way and hold this set of morals.
No.330631
awful movies, for real, maybe single handled killed the action genre
No.332403
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