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 No.245245[Reply][Last 50 Posts]


Below are the categories and nominees, if you would like to write in a nominee you are welcome to, and there are some nominee only categories. Each board has at least 1 award this year and we will of course be voting for board of the year as well. Ballots can be posted in this thread or emailed to [email protected]


/tv/ categories
>The French Dispatch
>Evangelion 3.0 + 1.0
>The Snyder Cut

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Is that me? I love Lexx.

[Last 50 Posts]

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>When corrupt Governor Alvarado (George Periolat) crushes the poor people of Spanish California under his iron heel, wealthy fop Don Diego Vega (Douglas Fairbanks) sheds his silks, dons a mask and cape and becomes the legendary Zorro, defender of the people. Infuriated by Zorro's meddling, Alvarado dispatches his right-hand man, Captain Ramon (Robert McKim), who has a score to settle with Zorro for stealing away the object of his desire: the lovely Lolita Pulido (Marguerite De La Motte).

Next weeks Topic: banned in the USA
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Great categories this year

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>Warner releases something that they think isn't 100% wokeshit
>/tv/ full of falseflag (((racists))) pretending they don't get the blindingly obvious subtext.
Is this the new normal? Is this all that's left of conversation? It's a fucking weekly and we're actually going to pretend this shit is controversial?

inb4 you unironic idiots mimic the falseflags because you're not bright enough to see through it. I fucking hate the future.
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He was a loveable autist whose stark black and white ideals we're worthy of praise since because of it he wouldn't be able to make mistakes in judgement like the others did


Uh the audience's shock at such misogynistic hate?


Will is probably fucking every time he wants to. He's rich, handsome and all his kids are over 21, there is no way he is not perpetually smashing clams. Him being a contractual cuck is probably just a storyline the couple crafted to maintain the family structure / everyone's ego.


Look, either way, I think we can all agree that Smith was just the wrong choice for the character. It was also a really shit choice to put a not-Smith in the immediate sequel. Both movies were blundered so badly.


I think the wrong choice is DC constantly pushing a bunch of low-leveled retards with guns and bats as a total credible threat towards the justice league or cosmic level entities. It feels like such a wasted opportunity not using them as a vehicle to introduce world building elements into the clusterfuck that is whatever DC calls their movie universe, plus giving the audiences a bit of a break from the big bombastic save the world plot and city destruction final acts.
They're even doing it in games for the love of God, apparently Harley Quinn and her shitty bat was the #1 choice to take on an evil, brainiac controlled justice league. Why? Why not instead take the opportunity to flesh out the world, or introduce people to obscure low-powered DC characters(either as SS members or antagonists) or tell a different story?
I cannot wait for the point where writing in movies gets so shit they can't really figure out how to write a villain besides having yell nigger once a scene.

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Is Scotland really like this? This is almost America tier. A disgrace to Europe.
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I thought Portugal legalised all drugs, how is there so little deaths?


>European union zone
Lol all those adrenochrome deaths


They decriminalized drug possession. The drugs are still illegal, but people caught with them just get the drugs taken away and don't go to prison for it.


I like them up to a point, but embracing bitterness toward another country as your entire identity just isn't a good look. It makes you look like a bitch past a certain point.


The wild majority of us potato niggers don't hold any sort of grudge against the Brits, it's entirely for keks at this point.

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Let's be honest, the Coen brothers always made kino. When was the last time they let us down? The Ballad of Buster Scruggs was awesome, as was Fargo, the True Grit remake, Raising Arizona, Intolerable Cruelty, the list goes on.
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I think its tied with Big Lebowski for me. Yeah Lebowski is tainted by its annoying reddit tier fans but I still laugh at it. Blood Simple is also great for a first feature.



nah, too Jewish.
Their least Jewish and best film was No Country.


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>It is the first film directed by one of the Coen brothers without the other's involvement
Joel Coen seem fine continuing to make movies. Why did Ethan Coen stop?


he dun wunna make them movies no more

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Netflix has increased the price of its monthly subscription plans in the U.S. and Canada, effective immediately for new subscribers beginning on Friday.

In the U.S., subscribers to Netflix's basic plan, which allows for one stream on one screen at a time and does not have HD streaming, will now be charged $9.99 a month, up from $8.99. Standard plans - which allow for users to stream on two screens at the same time - now cost $15.49 per month, an increase from $13.99, while premium plans have inched up to $19.99 a month.

Existing subscribers will begin to see the price changes "over the coming weeks," depending on their billing cycle. Subscribers will receive an email and in-app notification 30 days in advance of when the new subscription prices will take effect in their accounts.

Canadian subscribers will also be facing price increases, though the basic plan will remain the same price at this time. Standard plans in Canada will now cost $16.49 CAD and premium plans will cost $20.99 CAD.

The price increases come as Netflix has recently seen slowing growth in the U.S. and Canada and, at one point, lost around 400,000 subscribers in the region during the second quarter of 2021. The streamer was able to recover from those losses by Q3, adding around 70,000 new paid subscribers in the U.S./Canada, but the Asia-Pacific region emerged as the top contributor to Netflix's subscriber growth.

Netflix last hiked up its prices in Oct. 2020 by $1 to $2, depending on the subscription tier. The streaming giant is planning to disclose Q4 2021 earnings later this month, on Jan. 20.

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>made in fr*nce
>not cuckime


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Don't reply to or take seriously any posts from /cattle/


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>UGH, I'm so based, I like some shitty cuckime!


fall for pure fapbait.
It is made in France so it is not anime or cuckime as you folks call it.
a lolifag is going to judge me.
You do know that it was made in France and the same animation studio made a 3d renders/high quality 3d pictures to animation videos of that character. And said character was chosen because it was a fapbait character that was popular in the lol community and has a bunch of cosplay thots cosplaying as her because whenever you make a pure fapbait character that is meant for masturbation and when the male audience loves said character, then the female audience will also love the character because they get attention and can cosplay as the fapbait character.
Also yes, there is a difference between fapbait and waifubait, the nippon usually goes for waifubait because it will lead to sales and interest in the character for years to come.
While fapb8 is there just for easy and fast sales, sometimes these fapbait character can be popular enough for years which happened to this loli characer at the Arcane show.


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If I knew it was this easy to get (You)'s from /cattle/ then I'd come shitpost here a lot more often. The guys on /tech/ don't give me the same entertainment as you losers do.

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Let me preface this by saying I love Robert Siodmak's work, but damn, was The Killers a stinker. Don Siegel's version is much superior. Of course, it took Siodmak's film as a blueprint and there's nearly nothing of Hemingway's story despite being marketed with the deceiving title of "Ernest Hemingway's The Killers"… But as a film, it's superior in every way. Siodmak's version dragged. Even though I had already seen Siodmak's version, Siegel's kept me engaged from start to end.
Also honorable mention to the version directed by Tarkovsky, Gordon and Beiku for daring to go fully literal unlike Siodmak and dropping "nigger" on the audience a few times and giving their part nigger actor blackface over his brown skin for greater effect. It drags too, but it's a literal adaptation much like the first scene from Siodmak's.
Siodmak's own later work Criss Cross is a much superior film using a very similar formula. I think Siegel took inspiration from both films for his, but it's even more deliciously violent. The film is a much better thriller, but admittedly uses the other as its main inspiration. Rather than being a new adaptation of Hemingway's story it's a remake of the original, and one of those few remakes that improve on the original product.
Ava Gardner is a more alluring femme fatale than Angie Dickinson, but overall the newer movie just flows better. The shorter runtime helps, and changing the boxer into a race driver allows for much better action. The killers themselves driving the story also help keep tension high.


It was a bit of a letdown for me because I'd heard it described as "the Citizen Kane of film noir" but it turns that was a reference to it's narrative structure and it's quality. I still thought it was alright if not all that memorable.


I had read that but didn't give much thought to it, partly because to me Kane is noir if atypical. For me it was a letdown because I had seen Criss Cross before and loved it so I figured Siodmak with Lancaster would be great to watch again. I think it was based on this one.
If you haven't seen Siegel's version I highly recommend it .


Nice quads


Film soleil usually achieves a more visceral kind of violence, partially thanks to color. And Siegel was a master of filming it. Where noir seemed to display evil in a seedy underworld, its descendant shows casual violence in a bright setting, and the world itself appears gritty. It feels more real because it's in color so it hits even harder.


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We need to watch this.


I don't think we do.



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>40 seconds in
>morbidly obese white landwhale woman has been burning coal
>nigger ex-bf is abusive
quelle surprise


Damaged and deranged people are easy to push around since there is no one home


She's bulking up for the coming food shortage following the Great Collapse. You'd be doing the same if you knew half of what really goes on in the world.


Also she needs a new man with responsibility by her side, women are more vulnerable to gain more weight in order to attract a male, a bigger pelvis means she's the most fertile.
>35 years old
Nevermind, dumb bitch already past her prime being manipulated by a bigger.


holy shit it's the chubby bunny pigs

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At this point, I think even thinking in terms of left and right is all one big thought trap.
Think about, when people think in those terms they start conflating things like racism, Christianity, Fascism, Libertarianism (literally Liberalism) and an absence of concern for the environment, when there's absolutely no reason those things should go together. They ​are infact contradictory in many ways, but we're encouraged to file all of these things under this one category of "right wing"
On the other end, the Left is supposed to have something to do with equality for all, concern, and harm reduction, and yet they're lead by the nose into worship of criminals and destructive people, encouraged to ignore or cheer on any harm that befalls white people. They're told they're supposed to worry about the environment, while ignoring things like global population growth, and who it is who is actually having all of the children. They chase this idea of a "better society", while selecting against the exact people who are likely to bring such a society into being (highly intelligent and conscientious people with moral inclinations).
It's all a big trick, designed to split people into arbitrary tribes, and tie them in knots so they can't even think straight.
No one with actual power takes the idea of identifying as "left" or "right" seriously, I can assure you of that.


>What's your point?
I just told you ya retard no-read mutt


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The only solution is to abandon Cartesian Rationalism and all of the other ideals of the """"""""Enlightenment"""""""". This will be hard for most people since it will mean giving up the principle of absolute certainty but what must be done must be done.


These days I just ask myself "what's it to me?" and "where do I stand in this?". Anything beyond that feels increasingly like ideological baggage.


qrd? maybe he's onto something

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