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/tv/ - Movies and Television

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Based on social media posts and fanart; why does Sang-Woo have the biggest female following /tv/?
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Western males are obsessed with Japan, western women are obsessed with Korea. Very strange, very tragic. I don't see Korean media turning as many people into trannies as Japanese media does so I'm inclined to say that the women are, Gahoole forgive me, right on this one.


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you've been gooked retard


>'Video Game' officially declared as disease and put ICD disease code by the government
Based, fuck Mark.


korean shit are always like that, the relationship drama is the real story while everything else is just a veneer to pad the runtime


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Western folk into Asians? What a shame. What are Asians obsessing over? Europeans?

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This show was cheesy but awesome. Also Patricia McPherson was a cutie.


It was careless fun that didn't take itself that seriously so nobody did and enjoyed it for what it was.
Nowadays everyone wants to be the drama or comedy prime-time.


I'm a quasi-zoomer millennial but got to experience thanks to reruns. Played a role in my obsession with the 80s no doubt.


super force was also underrated kino

YouTube embed. Click thumbnail to play.


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mikefags always were right.


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Didn't he make a cameo in a film?

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On this day 128 years ago, Miss Lillian Diana Gish was born. Let us honor her memory and contributions to film with a thread. Use this thread to post photographs, films, articles, interviews, books, PDFs or other documents related to Miss Gish. She may have passed away 28 years ago, but her legacy can never be fully erased.

Last year's thread:
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Men don't appreciate real beauty when they see it. Instead they simp over women who dump pounds of makeup on their face. Simping is easy. What a tragedy movie. DW Griffith tried to warn us.


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>A young wife and her musician husband live in poverty in a New York City tenement. The husband's job requires him to go away for for a number of days. On his return, he is robbed by the neighborhood gangster. Sometime later, an unrelated mob shoot-out ensues. The husband happens upon the melee, recognizing the crook who robbed him. Can the husband retrieve his money?


This is one of the more well known Biograph short films for being among the world's first gangster pictures.


There's something about the gestures of the main gangster character that reminds me of of a prototypical James Cagney.


Who said crime doesn't pay?


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I spy with my little eye… Erich von Stroheim.

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is edward scissorhands a good representation of zach?
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I can picture him, at age twenty-something, running around retard day care with the other, much younger, tards, wearing his wizard cape and pretending to fly a broom and getting into arguments about the best Potter movie.


He probably told everyone about how emma made his pp hard


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>gay wolverine


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Jim was my idol when I was a nerdy little kid because the actor turned from a nerdy little kid in Breakfast Club into a confident jock asshole who dated the cutest girl at school in Edward Scissorhands and I had hopes I'd turn out the same in my later teens, except there would be no scissor freak that would murder me.

Unfortunately I'm still a skinny nerd 20 years late, plus I'm quickly going bald. Girls are overrated anyways. At least I have normal hands.


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>here's your robowaifu, bro
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I've had a Dovebot™ on preorder for a few years now.


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You know that feeling when you just got a new sexbot and it still smells fresh and new?


Where did you find this video of me?


She definitely did not like that.


She was literally raped. Of course she's not gonna like it. It'll take years of therapy and crying in the shower before she's ever gonna feel comfortable around people again and judging from her clothes she's from a time before therapists and showers so she'll probably just kill herself to escape the pain. Poor girl.

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Just watched La Jetée (1962) by Chris Marker. I don't know if photoplays are too highbrow for me but I found it to be a chore for the most part (probably because I wasn't expecting a photoplay as I jumped in without any information than it being sci-fi).
I saw the ending coming (the introduction kind of spoiled it in my opinion), and there wasn't a lot of substance for all the narration that went on. Maybe in a meta way it's supposed to be enjoyed as a memory, I guess we'll see. But for now my impression is there was much ado over nothing. I have this feeling that the king wears no clothes. I have no problem with style over substance if the style is compelling, but this was not.
The photography is admittedly pretty good. with lots of play between light and shadow. It definitely has more impact than a photobook, however. But pretty much anything does anyways.


YouTube embed. Click thumbnail to play.
Here it is with English subtitles if you guys want to watch it.


Also I'm going to cut Marker some slack as I've just learned that more than style over substance, it was his way to cope with being unable to afford hiring a movie camera for more than an afternoon.
Still, not a fan of the final result. But it was as good as he could have managed I suppose. Maybe he should have tried hiring a 16mm instead of a more expensive 35mm Arriflex. But who am I to judge his decisions really, at most I can criticize this work of art.


Personally, I liked the style of the film but I have a soft spot for that early 60's aesthetic. The story isn't very good though. It suffers from the same problem most French media has where they take an interesting idea and waste it by using it on yet another tragic love story.

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>roasties in space


>She's not gorgeous.
Roast deez


>obsessed with roasties
consider sudoku


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girls are not allowed here little missy

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I'm embarassed I'm not a single jew/chink tranny who can not get black eggplants out of their mind rent free



Vaguely sure they were described in the books as "fair of skin".


YouTube embed. Click thumbnail to play.

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Get HYPED for Micheal Keaton's Batman!!!
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isn't he a kike?


>Isn't much
Are you kidding? They make royalties off this shit for the rest of their lives.


I believe this is because these movies can no longer stand up on their own. Sure the movies have the production value expected out of high budgets, but what other hollywood blockbusters do not?
They've lost their big star power names with the departure of their big established names like RDJ/Chris Evans/Tom Hiddleston and they no longer have someone with charisma to carry their movies besides Chris Pratt and Hemsworth, both of which are probably going be cast in the same movies now and let's face it the "legacy" actors are probably on their way out of the door so that's more loss of both star-power and legacy characters.
So in order to counter this Marvel's being scrambling around their established universe slowly cannibalizing their more liked characters into the "newer, cooler with cheaper to hire/younger actors" replacements in preparation for this but it's so far been done very poorly, in a way that the previously liked established characters have been shat on and what was superficially attributed to be the reasons for people liking them have been pushed onto the newer character. This has been done because just like how they're looking for cheaper, younger actors who can be the core of the newer movies they've also phased out their old directors/writers either because they're expensive or they did a bad in the eyes of social media or any number of reasons. Unfortunately those people cannot really measure up to what came before(which when you consider how truly the best of the MCU is at best slightly above average with a really big budget and production it's laughable) so you end up with stupid shit like "THIS IS THE FIRST ALL ASIAN LED SUPERHERO MOVIE SUCK MY DICK JACKIE CHAN [REDACTED]" or "THIS IS THE FIRST SUPERHERO MOVIE WITH A GAY NIGGER INCEST FAMILY" or other really dumb claims that no one outside of the people arguing about such shit on social media really care about. Stuff like that might work for now but the further and further we move from endgame, and the further and further these lower quality movies come out, the less and less "A Marvel movie" will hold value and there will be fewer draws to be had just by having a movie have the marvel or DC logo to it.

How does this apply to DC? DC has no vision for what they're trying to do with their movie IPs. This works fine with stuff like Joker(MaybPost too long. Click here to view the full text.


Another explanation is that they are copying comics, in that they always had cross-overs. The difference is, that back then you would have 10-30 maybe even more individual stories for Spider-Man, then one crossover with Iron Man or Fantastic Four, then it's back to 10-30 individual stories with Spider-Man. The cross-over was more of a special event or just a "guest starring DareDevil", but it would almost always return to the individual stories. This also worked for the TV shows/cartoons, the 90s Spider-Man cartoon had 65 episodes, most of which were dedicated to Spider-Man, but with 1 episode for X-Men, 1 for Dare Devil, and a few more for Captain America as that was a special event, plus one where he gathered a gang of heroes to fight in a cosmic battle, but in the last episodes of the season it was still Spider-Man fighting his rogue gallery. This is how the cartoon ended, Spider-Man and other Spider-Men from alternative universes teaming up to defeat Carnage that possessed another Spider-Man, it was all about Spider-Man, not Iron Man or Captain America.
Movies, do not have this luxury, they can't just release 10 Spider-Man movies and then have the cross-over with Iron-Man, now everything either gets a solo movie and then goes into the collab, or starts in the collab and then maybe gets a solo movie(Black Widow). They are rushing into the collabs, because, unlike with TV shows, movies take too long to be made and after the collab, they never go back into the solo stories, but all subsequent stories will feature X from Y movie.


woah based

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