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[–]

 No.350082[Watch Thread][Reply]

Gahoole has a way of snatching defeat from the jaws of victory.

The Wire is sentimental Jewish tripe about niggers written by a liberal Jew. Gahoole senses it is bad but says it is bad because it is le bad. It's bad because it is a sentimental melodrama about the plight of the coon that has zero bearing on reality.

Succession is Redditry, yes, but then you say BCS and fucking Twin Peaks is not? Twin Peaks is like the book of Genesis of Redditry. It is the original form of Redditry in media with its "heh, le irony!," naval gazing that leads to nowhere, and meaningless goofiness. It is the American version of Monty Python which OG Reddit back in the day worshippped.

BCS is a blatant grift off of Breaking Bad's success as every single prequel always is. Prequels suck dick because prequels are grifts. BCS was contrived shit filled with carbon copy characters pulled from BB. Wait, we need a crazy Mexican guy like Tuco? Here is, wait for it…La-Lo! Haha! Look I am going to make some smiley faces and kill some people and wow, I am a bad guy! BCS was the most forced turd in the history of television. It did not even have the political impetus like the Wire, which at least has nigger loving it can point to. BCS was the definition of corporate grabbag not unlike almost everything Star Wars did since 2015.

Then you talk about the 2010s and do not mention Game of Thrones? Game of Thrones is unquestionably the best tv show of the 2010s, if not only because of the good times we had.

The only good tv shows worth watching at all over the past 40 years have been X Files, Breaking Bad, and Game of Thrones. The rest are shit.
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 No.350233>>350238

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>>350158
basado

 No.350234

>>350173
nuzach was milo all along gahollio

your master milo was nuzach

 No.350235

whats the deal with the .space board being down ?

sweeping hard for ppp and andy ?

 No.350238

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 No.350244

>>350161
>trying too hard: the post

Subtlety is key in this job, nuzach. You can do it, we believe in you.



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[–]

 No.349715[Watch Thread][Reply]

DID YOU FEEL SORRY FOR THE WHORE?!?!!
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 No.350176>>350179>>350181

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 No.350179

>>350176
Fucking simp niggers.

 No.350181

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>>350176
Replace the dyke with a kike and that's pretty much how Israel got founded, hell if the guy carried a handgun and shot one of the white knights then these mutts would've cried to the pigs and beg for reinforcements.

 No.350187>>350215

>>349856
I wonder how he's doing these days?

 No.350215

YouTube embed. Click thumbnail to play.
>>350187
Sheeeeeit he is doing gud



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[–]

 No.347778[Watch Thread][Reply]>>350121

I love old sitcoms. They're so comfy when they don't get political anyway. They're the perfect shows to watch just before you go to sleep. The canned laughter is weird when you think about it, but I'm used to it by now.
What are your favorites? Mine, in chronological order:
>The Honeymoonders
>The Andy Griffith Show
>The Dick van Dyke Show
>The Mary Tyler Moore Show
>Taxi
>Cheers
>Seinfeld
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 No.350118>>350122>>350136

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I first saw cheers a few years ago and it turned into my favourite sitcom. Very comfy and a joy to watch. The difference in 80s culture and today is incredible. Season 1 was the best because it had the least amount of Sam & Diane crap. Never liked the couple and it got annoying over the years. However in the end of the season 5 finale they finally had me. Their last scene is the most heartbreaking scene in sitcom history…. Season 6 onward was still good though they flanderized a lot of the characters. All in all great show for 11 seasons straight.

 No.350121

>>347778 (OP)
I was a Home Improvement man myself.
>>347787
>Married…with Children
also a good show

 No.350122

>>350118
When I was a boy watching the Cheers intro, I used to think it was a real bar, and wanted to go there.

 No.350136>>350150

YouTube embed. Click thumbnail to play.
>>350118
>Season 6 onward was still good though they flanderized a lot of the characters
It was already kind of going in that direction (embed related) but yeah, it became a lot more cartoonish as it went on. I do like the Halloween prank episodes though, and I really enjoyed the last season where they pushed everything to it's limits.

 No.350150

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>>350136
I agree with all that. Though I feel that Sam was the character that was the most maybe only truly developed one that evolved over the period of the show. I enjoyed watching that and he became one of my favorite TV characters.

Also the end credits has the comfiest jingle ever. Like a sweet lullaby to go to bed to.



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[–]

 No.350051[Watch Thread][Reply]

>When the plague kills their parents, Henriette (Lillian Gish) and her blind adopted sister, Louise (Dorothy Gish), go to Paris in hopes of finding a doctor to restore Louise's sight. As soon as they arrive, Henriette is kidnapped by an amoral aristocrat (Morgan Wallace), but escapes with the help of Chevalier de Vaudrey (Joseph Schildkraut). Louise, meanwhile, is taken in by thieves who force her to beg. As the French Revolution rages all around them, the two sisters struggle to reunite.

NEXT WEEKS THEME: Cagney
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 No.350065>>350068

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>>350063
There's no such thing as silent kino

also let's be honest acting pre 40s was horse shit

 No.350066

>emoji is posting kpop now

TVCH is really done

 No.350068>>350116

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>>350065
>There's no such thing as silent kino
There's plenty of silent kino. You're lying to yourself.
>also let's be honest acting pre 40s was horse shit
It was more stylized, and that's not necessarily a bad thing. It depends on what a movie is trying to achieve. Not everything has to be naturalistic.

 No.350116>>350120

>>350068
>the Crowd
Thanks for that. I'm downloading it as I type. Probably watch it as a double feature with the MotW.

 No.350120

>>350116
No problem. It's one I first learned about from Kevin Brownlow's Hollywood miniseries.



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[–]

 No.349646[Watch Thread][Reply]

>Unrepentant Tennessee moonshine runner Luke Doolin (Robert Mitchum) makes dangerous high-speed deliveries for his liquor-producing father, Vernon (Trevor Bardette), but won't let his younger brother Robin (James Mitchum) join the family business. Under pressure from both out-of-town gangster Kogan (Jacques Aubuchon), who wants a piece of the local action, and Treasury agent Barrett (Gene Barry), who wants to destroy the moonshine business, Luke fights for his fast-fading way of life.

>Strange and creepy happenings beset an average California family, the Freelings - Steve (Craig T. Nelson), Diane (JoBeth Williams), teenaged Dana (Dominique Dunne), eight-year-old Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O'Rourke) - when ghosts commune with them through the television set. Initially friendly and playful, the spirits turn unexpectedly menacing, and, when Carol Ann goes missing, Steve and Diane turn to a parapsychologist and eventually an exorcist for help.


NEXT WEEKS THEME: In the public domain
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 No.349983>>350003

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White Zombie (1932)
David Wark Griffith's masterpiece INTOLERANCE
Becky Sharp (1935)
Ben Hur: A Tale of The Christ (1925)
The King of Kings (1927) (Cecil B DeMille)
The Ten Commandments (1923) (Cecil B. DeMille)
The Scarlet Letter (D.W. Griffith)
Orphans of the Storm (D.W. Griffith)
Last Man On Earth (1964)
Carmen (1915) (Cecil B. DeMille)

boy theres a fuckin lot to choose from. only kept becky in because techno color

 No.350003>>350061>>350075

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>>349983
Intolerance Is the Greatest Movie Ever Made (Abridged)
For many critics and scholars - myself among them - D. W. Griffith's Intolerance is the greatest film ever made. A century later we are as close to its subject as we are distant from its art. Political specifics, moral arguments, and movie styles may look different today, yet the only real difference is Griffith's still-daring ingenuity, which calls for a more open-minded reception than in our simplistic habits we are accustomed to: It calls for an optimistic, united popular audience, which Griffith took for granted.
When Intolerance premiered on September 5, 1916, its opening intertitles introduced silent-movie viewers to an extraordinary narrative device: "Our play is made up of four separate stories, laid in different periods of history, each with its own set of characters." Employing a prologue and two acts, Griffith called it "a sun-play," marked by florid melodramatics developed from Emersonian Transcendentalism.
Griffith's idea of cinematic "sun-play" to illuminate a darkened world might sound cornball to cynical Millennials, but his sincere, way-out-there expression of emotion and spirituality gave immediacy to each period story. In place of the saccharine, he interweaves four tales of religious and political persecution: the invasion of Belshazzar's Babylonian kingdom by Cyrus's Persian army; Christ's crucifixion; the Catholics' massacre of the Huguenot Protestants in 16th-century France; and, in the early 20th century, a young couple wronged by urban reformers.
Intolerance derives from that moment when the mass audience was first being created, before niche marketing and solidified genres began to segregate peoples' tastes, as is so egregiously the case with separate categories for film, television, and video games. Yet then, as now, the fact of artistic expression is that artists will ignore or take up social issues, seeking to persuade or else risking inevitable contradiction. Griffith's The Birth of a Nation was a perfect example of this. It was based on the primal issues of slavery, U.S. Civil War lore, and the rise of the Ku Klux Klan, all of which I have discussed at National Review. The Birth of a Nation was not just America's first film epic. It was the country's first political film, and the considerable outcry it raised compelled Griffith to Post too long. Click here to view the full text.

 No.350020

>>349913
>If I were in Lucas Doolin's shoes, I would have dropped her in an instant for Roxanna.
I agree, Roxy is best girl, but I think in Luke's mind, he didn't want her for himself. For one, he didn't feel worthy of her, possibly because she's too young and naive, unlike Francie, whom was more his age, and with whom he had more of a history. Luke wanted the best for his brother, that's why he wanted Rob to have Roxy, and the ending implied as much that Rob and her would get together.

 No.350061

>>350003
Based Armond

 No.350075

>>350003
I didn't know Armond was Griffithfag.



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[–]

 No.349746[Watch Thread][Reply]>>349751

Is this the best one? It's like they captured the exact moment the hippie movement died on film. Everything is so perfect it almost seems scripted.
Do you know of any better than this, or even just some other good ones?
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 No.349751>>350060

>>349746 (OP)
I've known about this one for a long time but still haven't watched it. I think I'm going to see if I can track down a torrent.

 No.349774>>349783

>>349750
>I air guitar to Keith or Mick Taylor
While driving?

 No.349783


 No.349808

YouTube embed. Click thumbnail to play.
I was in the first ever feature length IMAX film in the sense that I was in the crowd at Wembley when Stones at the Max was filmed.
Before the show focus pullers? were using measuring tapes to position the weird looking cameras around the stage

 No.350060

>>349751
I watched it, and the hippies were so obnoxious that I ended up sympathizing with the Hells Angels. Meredith Hunter was a shithead who deserved what he got.



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[–]

 No.349875[Watch Thread][Reply]

WHy did he kill himself ?
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 No.350043


 No.350044>>350045

>>350041
Icke was the first one to mention the frankist theory, back in the 2000s, idk which fag u heard it from but icke was the first

one of the dumbest theories of all time

 No.350045>>350047


 No.350047

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>>350045
It's actually irish witches, but go on

 No.350059

>>349920
The tenets of Satanism come from Anton LaVey being a flamboyant pop Nietzschean who liked Ragnar Redbeard and fascist aesthetics and knew he could really capitalize on utilizing taboo imagery and mocking Christian rites and dogmas back in the '60s.



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[–]

 No.349714[Watch Thread][Reply]

They need a strong showing this year
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 No.349741>>349742>>349743>>350048

>>349739
Louis and BBC are a power couple for the ages, this is an emperical fact.

 No.349742>>349743>>350048

>>349741
Tiny black pecker

 No.349743

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 No.350048>>350049

>>349741
>>349742
I just don't get jewish humor

 No.350049

>>350048
jews don't have humor



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[–]

 No.349906[Watch Thread][Reply]

folgers commercial
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 No.350016>>350023


 No.350017

>brownoid spreading lies
I do agree about the jewish part.

 No.350023

>>350016
>I'm abdul
>I think the most popular couples will be white women with me

Gee I wonder why you think that, Abdul? I'm sure there's a lot of data to support why you believe that!

 No.350029>>350030

>>350012
>>350014
>I've only studied a bit of him
Friendly reminder that Nietzsche was a schizo who died from a stroke he had over a horse, and it was his sister who had ghost written most of his work.

 No.350030

>>350029
He fought in a war, got sick from sharing a room/water with a coomer soldier, his sister and her husband helped to publish his work and to maintain it. Being a schizo is never a bad thing in entirety, also he wasn't a schizo. Peak plebbit terminology.



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[–]

 No.348626[Watch Thread][Reply][Last 50 Posts]>>349937

C/D list actress you wish to date.
picrel
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 No.349937


 No.349940>>349970

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>>349776
A man of taste

 No.349970>>349987>>349988

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 No.349987

>>349970
She killed that innocent man and turned him into a zombie.

 No.349988

>>349970
>Noooo Karen don't put your ass in my face NOOOOOOOOOOOOO


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