[–]▶ No.350082[Watch Thread]>>350085>>350086>>350087>>350098>>350132>>350158
Gahoole has a way of snatching defeat from the jaws of victory.
The Wire is sentimental Jewish tripe about niggers written by a liberal Jew. Gahoole senses it is bad but says it is bad because it is le bad. It's bad because it is a sentimental melodrama about the plight of the coon that has zero bearing on reality.
Succession is Redditry, yes, but then you say BCS and fucking Twin Peaks is not? Twin Peaks is like the book of Genesis of Redditry. It is the original form of Redditry in media with its "heh, le irony!," naval gazing that leads to nowhere, and meaningless goofiness. It is the American version of Monty Python which OG Reddit back in the day worshippped.
BCS is a blatant grift off of Breaking Bad's success as every single prequel always is. Prequels suck dick because prequels are grifts. BCS was contrived shit filled with carbon copy characters pulled from BB. Wait, we need a crazy Mexican guy like Tuco? Here is, wait for it…La-Lo! Haha! Look I am going to make some smiley faces and kill some people and wow, I am a bad guy! BCS was the most forced turd in the history of television. It did not even have the political impetus like the Wire, which at least has nigger loving it can point to. BCS was the definition of corporate grabbag not unlike almost everything Star Wars did since 2015.
Then you talk about the 2010s and do not mention Game of Thrones? Game of Thrones is unquestionably the best tv show of the 2010s, if not only because of the good times we had.
The only good tv shows worth watching at all over the past 40 years have been X Files, Breaking Bad, and Game of Thrones. The rest are shit.
▶ No.350084
Stargate and Lexx are kino tbh
▶ No.350085
>>350082 (OP)BCS is just as good as BB.
▶ No.350086>>350089>>350090>>350158
>>350082 (OP)X-files and Game of Thrones are also peak reddit. X-files is incredibly inconsistent, with most episodes being jewish tripe and GoT just got worse every season. Say what you will about Vince Gilligan but he's much better at maintaining quality, both in BB and BCS.
As for Twin Peaks pt2, it's just Lynch doing Lynch stuff, if you dislike his weirder movies I'm sure you hated it, but his more out there stuff like Inland Empire is always gonna be very divisive.
▶ No.350087
>>350082 (OP)Actual 1990-1991 Twin Peaks was great. The 2017 show sucked ass.
▶ No.350089>>350107>>350170
>>350086you are a newfaggot who was not there in the GOT threads. You wouldn't know Reddit if it bit you on the ass.
Lynch sucks dick and I am glad he is dead. S to spit.
▶ No.350092>>350095
Succession
By Armond White
How Pauline Kael predicted HBO's failed media satire.
In "After Innocence," the 1973 essay that is Pauline Kael's most political piece of writing, she reported, "The Watergate hearings have overshadowed the movies." She realized that the year's films (the second-best year of a great cinema decade) had less impact than the passing political parade. Kael knew that those hearings to besmirch a president by investigating corruption were unprecedented. She saw them as the confirmation that Vietnam and civil-rights conflicts had overtaken the American spirit through protests and media-disseminated dissent.
"You could feel it," Kael said of the nationwide discontent. Her precise assessment of anti-Nixon cynicism in '70s media seems almost prophetic of today's anxiety. She pointed out
the convictionless atmosphere, the absence of shared values, the brutalities taken for granted, the glorification of loser-heroes . . . the harshness of the attitudes, the abrasiveness that made you wince - until, after years of it, maybe you stopped wincing. It had become normal.
The normalization of cynicism explains how, 50 years later, Americans could tolerate the January 6 show trials. Speaker of the House Kevin McCarthy mandated release of exculpatory videotapes hidden and withheld by the J6 kangaroo court, proving that politicians and the media had deliberately misled the public. Yet the normalization of cynicism - key to the leftist media's refusal to repent - still overwhelms the culture. How do we regain optimism after having been so thoroughly betrayed? Not even the truth, then, can easily restore trust.
This is why the overrated HBO series Succession is so appalling. It caters to disillusionment. Our deceitful media-industry complex has laid the groundwork for the cynicism and nihilism that overpower our culture, laws, and institutions.
The makers of Succession - British writer Jesse Armstrong and producers Adam McKay and Frank Rich - specialize in exactly the elitist disdain they pretend to satirize. The show's premise - exposing the internecine conflicts of family-owned media conglomerate Waystar RoyCo - actually celebrates the very nastiness that neoliberals claim to abhor. This roman à clef series begins with the patriarch of the Roy clan, Logan (Brian Cox), urinating on a carpet (evoking The Big Lebowski, befouling us). He suggests Rupert Murdoch and family, putative conservatives thinly disguised to benefit the show-runners' partisan enmity.
But the show's real source is the low-grade titillation of Fox's hot-mess black series Empire. Succession appropriates the antics of Lee Daniels's sudser (which unleashed hoaxster Jussie Smollett), but it upgrades the "ratchet" behavior to wealthy whites for a combination of envy and disdain.
Media-savvy Armstrong, McKay, and Rich play out their own Trump Derangement Syndrome (Succession first aired the second year of Trump's presidency), dramatizing the exasperation of the liberal corporate media. An honest show would center on the actual behind-the-scene conflicts of the angry snowflakes at leftist news networks. Instead, through true projection, Armstrong, McKay, and Rich accuse their ideological opponents.
Succession daren't expose the bias secreted by network owners, presidents, and news directors, as revealed when former Nightline and 20/20 producer James Goldston colluded with the J6 committee to turn national politics into a TV drama disguised as political news. But that treachery is made to seem alluring through miscreant characterizations that media folk can disavow.
The political animals behind Succession - respectively, Armstrong, from the gutters of Fleet Street pseuds who concocted The Death of Stalin; McKay, from the SNL-Hollywood axis of progressive snark; and Rich, from the New York Times editorial board and the sitcom Veep - put their lived experience to dubious use on this "dramedy." But they're unreliable sources for media critique. Gaslighting is their modus operandi. So is intellectual pretense - that same HBO formula of middlebrow sophistication that ruined The Sopranos. Succession's dialogue is painfully arch, as when the Latin motto In Veritate Triumpho (I triumph in the truth) on a coat of arms is variously misinterpreted as "This wine is triumphant" and "Your vagina trumpets." A large part of the show's acclaim derives from the log-rolling nature of politicized media congratulating its own snark - specifically Armstrong, McKay, and Rich's attacking Fox while ignoring the perfidies of MSNBC, CNN, CBS, NBC, ABC, and PBS.
The show orients TV-watchers to the venality of media folk who are proxies for their vile political confreres - as in a Roy scion (Jeremy Strong) staging his own Chappaquiddick. Our political and ethical disillusionment never ends.
Before any of the political pundits of the time, Kael perceived that the Watergate hearings, which stemmed from Woodward and Bernstein's mission at the Washington Post, corrupted journalistic instinct, and that self-righteousness had turned the entire news profession into a lynch mob. Even back then, Kael described the "genteel, condescending press" and "Eastern establishment prudery." She was good at sussing out institutional hypocrisies, from Hollywood's post-WWII communist grandstanding to feminist vanity. "After Innocence" anticipates how Succession amplifies the echo-chamber phenomenon of groupthink. And fawning reviews turn that into cultural consensus.
Kael concluded her classic analysis with a review of the Jeff Bridges-Lamont Johnson film The Last American Hero, a modest example of Watergate-era Americana. She warned, "We may never know the extent of the damage movies are doing to us." And now we are stuck with the decidedly immodest, corrupt Succession.
The ruthless family-business competitors of Succession are no different from the monsters in Game of Thrones; this time it's warfare among the insufferable, beastly pundit class. We have inherited the disillusionment and dishonesty started a half century ago and that media and its audiences can't get out of. Succession mirrors our self-destruction.
▶ No.350107>>350108
>>350089You mean the GoT threads on cuckchan? No idea why you think that retards on an imageboard making fun of a show is some kind of mark of quality, but I guess that's what Reddit does to your brain.
>lynch disrespecterGuess I was right in my analysis on why the OP hated Twin Peaks pt2.
▶ No.350108>>350109
>>350107We had threads on 8chan, you stupid fucking 4cuck zoomer faggot imbecile.
▶ No.350109>>350110
>>350108Yeah for the later seasons, when the show already turned to shit.
The show is from 2011, but since you're reddit generation I guess you where'nt born yet.
▶ No.350110>>350111>>350117
>>350109>heh da show from 2011We had the threads since the beginning in 2013. So for most of the shows life, we were on 8chan watching it. You are a newfaggot retard so you want to focus on the two years of cuckchan.
Fuck you, you fucking faggot.
▶ No.350117
>>350110>WeNot me but all of you that did (including the maisiefag) were all faggots for liking the show
▶ No.350124
>>350123shit tv show for retards.
▶ No.350125
>>350123great tv show for savants.
▶ No.350127
>>350123Why does it seem like everybody says this about every prestige show?
▶ No.350131
>>350130Reddit show for pseud families.
▶ No.350133>>350140
>>350132Is it really that bad? I never watched it because I always see people saying that about it.
▶ No.350138>>350139>>350142
>>350130>vest showwhat does this even mean you illiterate nigger
▶ No.350139
>>350138Look at your keyboard. Notice how the B key neighbors the V? It's called a typo. Don't be an autistic nigger giving anons shit for typos.
▶ No.350140
YouTube embed. Click thumbnail to play.
>>350133It's one of those love it or hate it movies. I didn't like it very much. It's full of that half-ironic randomness redditors seem to love.
>"Dude the hero is a scientist and a heart surgeon and a rock star and a samurai! Isn't that awesomeness????"But it may be worth checking out if you're in the mood for something off the wall made with a lot of passion.
▶ No.350142
>>350138No meed to spellcheck low effort shitposts
▶ No.350144
>>350123I found BCS to be boring
▶ No.350147>>350151
Would you jerk off animals daily for $10,000 a month?
▶ No.350151
>>350147Better than BCS tbh
▶ No.350170>>350173
>>350089>>350090t. obtuse faggots
Go duck your mothers and your fathers
▶ No.350173>>350234
>>350170I love coon dick and I have bad taste for everything.
▶ No.350232
the wire is only kinda refreshing because they make all the cops look lazy and they only care about their careers it's kinda the only way it's held up as time has gone on because most of whats made these days even with the same actors is basically ted lasso feel good or stuff with no redemmable value beyond being depressing
▶ No.350234
>>350173nuzach was milo all along gahollio
your master milo was nuzach
▶ No.350235
whats the deal with the .space board being down ?
sweeping hard for ppp and andy ?
▶ No.350244
>>350161
>trying too hard: the post
Subtlety is key in this job, nuzach. You can do it, we believe in you.