/dup/ - btfo

>>169152
I doubt the gaypers care that he's a homosexual spic that worships kikes and niggers. They're part of nick's homosexual harem because they're losers desperate for somewhere to belong.

>>169142
His not being arrested after being on video inciting at J6 was a dead giveaway that he glows.

>>169142
ramonated

is there any vaguely controversial position that he used to hold that he still holds? always been a biblebasher that doesn't give a fuck about scripture or other scriptures, he's always been two-steps off of anti-natal with his refusal to settle down / obvious fag allegations, been pure civnat cuck for a while (feeding children to a muslim pedo + we need bbc support, because i won't touch a white woman o algo), and now he's not even naming the jew.
what the fuck is there even left?

>>169159
>he's always been two-steps off of anti-natal with his refusal to settle down / obvious fag allegations
I don't mean this as an excuse for Spicuentes, but you are a virgin, dude. You are a nazi virgin.

>>169160
How is that an arguement, whats wrong with being a virgin brownoid?

>>169162
*argument
Either way your probably just the same incel brownoid whose butthurt about whitey. AKA poozach.

>>169160
Literally what part of any of what I said indicates I'm either a virgin or a stormnigger.
One of the core tenants of Catholicism is "Go forth and multiply" - it's part of why Catholics / Amish in America are one of the few demographics above replacement rate, and why the christianised third world are breeding like rats on steroids. Literally, God commands thee to have children. It's Christian scripture.
Nick the Spic, opinions on him aside, is a notable countercultural figure with a large audience, and a large audience of actual Christians at that (not just nominal types that might have a Christian wedding but leave it at that, the types that actually show up to Church on a Sunday). Cobes had women attracted to him like a fucking magnet, Ethin Ralph is just about the most washed up drunk waste of space alive right now but has fucked a chunk of chicks (at least 5 of which he didn't had to pay for) and you're telling me that Nick doesn't? That women just all of a sudden don't find a well-put together, popular, controversial, well-spoken, public-facing, reasonably wealthy man with no disfigurements, not something remotely desirable? That the Catholic community's bad-boy can't find any woman among his tens of thousands of loyal sycophants? Not one of them can put a good word in for him for that one qt3.14 at church who's looking for a good man?
Again, disregarding any and all opinions; for him to have had skin in the game for (and my I remind you) 9 fucking years now, and not even got as much as a single genuinely traditional Catholic girl on his arm (hell, any woman) means he's not only avoiding women, not only avoiding marriage, but therefore actively refusing to have children. The dude is 27 years old, he's way past Christmas Cake age, and has no excuse for it.

The dude does not want kids. And to top it off, he constantly tells his impressionable retard audience quips like "liking women is gay" and "if it's between her or me, pick me". Half of which with a joking smile, the other half genuinely pissed off that a guy would have priorities towards his irl romantic relationship rather than his parasocial one. Also known as, telling his audience (of a demographic known for having many children (to the inconvenience of the ZOGstate) (which now owns his faggot ass) not to have children. Also known as anti-natalism.

tl;dr It's normal for men to be sexually attracted to women, and to want to have children. Nick the Spic isn't just abnormal in this regard, he constantly advocates against it.
You are a fucking retard.

>>169164
Nick's life is ruined, you clown. He burned every bridge possible. He betrayed everyone he ever met. He has nothing but his loud mouth now to make a living, like any grifter. What woman is going to marry that? A lunatic e girl? Their marriage would be another meme everyone laughs at. Nick's business model now depends on getting into fights with other people. His life is such that it is not conducive to making a family with a normal woman.
Why don't you have a wife? You're another virgin on an extremist nazi fringe political website talking about niggers and da jooos. You are not going to find a wife on here. The only guys who got married in this whole nazi sphere were slimeballs who destroyed said marriages, lost custody of their kids, and whose mothers now hate them. Everyone else ruined their lives for a meaningless political movement. A handful of e celeb grifters, that's it, and all the foot soldiers on the bottom were doomed to celibacy the moment they took the redpill. The altright is filled with a bunch of losers, and I mean at the top. The e celebs. The movement's figureheads. They are all compromised bitches.
If you are looking for a normal life, look elsewhere. The women are not here. They are all riding the dating app cock carousel until 30 and then shitting out a kid with someone they settled with. That's a fact, regardless of what Spicuentes says.

>>169165
>meaningless political movement
We won, kike. The entire world has had enough of jews and Israel.

>>169166
Joos

>>168994
>That is a big positive, we get gigantic size roaches and other disgusting things
Wolf spiders and house centipedes are nightmare fuel enough for me. I'd like to believe that I'd be able to adjust to bigger bugs than those, but they'd probably give me a fatal heart attack.
>I think we need to destroy a lot of tech and start over. Showing the nons how the sausage is made was a colossal, Earth-destroying mistake. White men must guard technology with their lives. I grant that it was the jews responsible largely but my point stands, we must guard the inner workings of how our tech works with our lives.
With the way things are going, our runaway technological development could be apocalyptic. I still like to fantasize about living in a sci-fi utopia.
>I'm the opposite, I don't particularly listen to motown. Play that funky music, White boy
To be fair, most of my experience comes from listening to that one compilation. I have a tendency to explore specific musical rabbit trails while neglecting important styles or musicians I should know more about. I imagine listening to the real albums would be more inconsistent in terms of quality considering Motown was still stuck in a single-oriented mindset back then.

The more classic-sounding funk has still never appealed to me enough to actually check out. I like the way the '60s Motown stuff was more energetic and played more straight, if that makes sense. They didn't do the Wall of Sound thing at all, but it has a more Brill Building type of feeling compared to the way funk ended up going. Generally I prefer '60s production better than the way records sounded in the '70s too, especially the bass and drums.
>Yeah some old disco songs are alright, before it got commercialized and mainstream.
I'm a big guy for ABBA. I still think things like the disco version of the Star Wars theme are pretty lame though. It reminds me of that awful midcentury trend of trying to jazz up old standards with "hip and modern" arrangements and swinging the melodies. Disgusting!
>but house music fucking sucks
I like some of the older stuff stylistically, like the cheesy artists Yuzo Koshiro was ripping off and usually improving for his Streets of Rage music. I appreciate the straight, driving rhythms and energy. Not usually fond of vocals or repetitive samples when it has them though. Electronic dance music made after the '90s usually sucks and sounds soulless though. Even back in the day a lot of it felt kind of disposable, like they were making something for people to shake their tushes to but not much more than that. It's still something I respect, but I feel like it had more potential as a genre than it ever really reached. It's way too inconsistent in quality. Dance music's standards have been getting lower and lower for generations.

>>168994 continued
>I like Sun Ra, and free jazz. Some free jazz albums are not much difference from tech-death metal. And I like Miles Davis's run of albums when he did a lot of coke and made fusion music lol. I like free jazz and some fusion music. Mahavishnu Orchestra particularly. Steely Dan.
I should have specified that I like the more popularly-oriented bands from the '10s-'30s that serious jazz fans often aren't too fond of (especially in regard to the white or (((white))) musicians from back then). Think of the type of stuff that you'd hear featured in old musical movies. I downloaded a lot of that music from places like the Internet Archive years ago. Listening to recordings from that era is a bit of an odd experience for me in that it's pop-oriented music that completely predates both the album era and performers being expected to come up with their own material. For me listening to it tends to involve going through a bunch of songs and finding individual ones I happen to like. I'm used to judging music based off formats like albums and EPs. Since there tended to be a common pool of songs that musicians were drawing from, there's a lot of crossover in terms of pieces played. If someone likes "Ain't She Sweet" played by Ben Selvin, then chances are they'll like the Jack Pettis version well enough too.

I started listening to Raymond Scott back in high school but didn't really start getting into many other pre-WWII recordings until years later. He's kind of sui generis for '30s jazz due to his idiosyncratic style with proto-exotica traits. He also mostly performed his own compositions. Then there's the whole later aspect of his career as an electronic music pioneer.
>I'm not into blues music but I don't hate it. Just not into it
I like some of the peppier varieties of blues (such as Piedmont blues), but a lot of what I've heard of the Delta or Chicago blues bores me to tears. I'll make exceptions for some of it. I think the fiddle playing adds a lot to the music of the Mississippi Sheiks, for example. It makes it sound a bit more like old-time music than the usual Delta blues. Overall though I don't get the appeal of most of it as a genre. Yeah, it was raw for its time, but I don't see it as very appealing when there's so much more out there now. As far as old groid music goes, it bothers me that that style in particular is seen as being part of some ancient, venerable, and uniquely "authentic" tradition that commands respectability in a way few genres do. Hearing white singers try to LARP as blind, poverty-stricken Delta slide guitarists is just cringeworthy. We have our own culture. We can take the good parts of other peoples' music and throw away the rest.
>Do you like Moondog? Carlos Santana? WAR? I agree with you there.
Moondog is definitely interesting. His rhythms really stood out to me when I first heard The Viking of Sixth Avenue. I need to listen to some of his other stuff again. Santana and WAR I don't have any real experience with, but I think I'm going to download that Santana album after hearing the song you posted.
>Love drum 'n bass music
I've never been able to get into drum and bass or jungle. I think part of it is because of how crazy and chopped up the breakbeats tend to be. I like more grounded and live-sounding breakbeats, like Danny Taylor from Silver Apples or the guy from The Swamp Rats.
>My favorite White rock musician from way way back like that is Jerry Lee Lewis. He had soul and rhythm! Imagine being some Baptist fuddy-duddy and seeing him perform live at your church for the first time lmao.
Live at the Star Club, Hamburg not only blows away most of his contemporaries, but its intensity also blows away even most metal or punk musicians. He's definitely among my favorite rock and rollers. I don't think any of the black ones were as great as they're made out to be. It's not they were bad, but I think they were just kind of one-trick ponies. That's not an inherent problem if it's a good trick, but I don't think Chuck Berry's music was impressive enough to get away with doing the same thing over and over.
>Yes, I know. They claim we're so sensitive and can't take a joke but niggers are the most thin-skinned, effeminate, whiny people on Earth
All you have to do is write a comment about how little it takes to make blacks chimp out and react violently, and you'll have blacks flipping out telling you that if you said that to their faces they'd kill you. A lot of their "pride" seems like a complete affectation from people trying to overcompensate too. Jesse Lee Peterson actually made a comment about that once. Amazin'.
>A few Spanish were though, in Florida almost entirely, a few in south georgia and charleston, but still. There were a lot of Lopez'es that were slaveholders, according to "Secret r'ship b/w blacks and jews" book
There was also the Louisiana Spanish. They're basically extinct now, but I used to lurk an anthrotard forum where one of the members identified as one.
>And I like Swans run of folk albums they did: "White Light from mouth of Infinity", Love of life, and The Burning World.
I need to explore their discography more. I've heard Filth, Young God, and Soundtracks for the Blind, but Filth might be the only one I've heard more than once. I love the clunky drumming and the noisy but melodic guitar work on "Power for Power."
>Neofolk also. I've a big collection of neofolk
I started listening to Death in June a bit more not that long ago. I first heard Nada! years ago, which was probably the right choice. It has more of a post-punk style than their later stuff, which made it closer to stuff I tend to listen to more often. I have enjoyed listening to some of the other albums recently.

Other than that, A Challenge of Honour is the only neofolk band I can think of that I've listened to. I did try martial industrial, which is a genre I used to associate with neofolk, but mostly found it disappointing. I was expecting music that sounded like "Geburt Einer Nation" by Laibach, "Through Sun and Steel Transforming" by Von Thronstahl, "Walked in Line" by Blood Axis (a Warsaw/Joy Division cover) or "Stadt der Jugend" by Triarii.

>>169168
Speaking of the Stylistics, I heard this banger of a ballad the other night. Holy shit what happened to black music?

>>168995
>I don't like Danzig. I don't mind them playing Alice in Chains, truly, but Nirvana sucks balls, agreed.
I think Danzig and Nirvana are fine, but the latter is extremely overrated relative to the actual quality of their work. Kurt Cobain largely shot up into the pop-culture stratosphere because he shot himself. If he hadn't died, he would probably just be seen as another '90s rock frontman instead of a rock legend. Alice in Chains is one of my favorite '90s bands, but I'd rather not hear them on the radio.
>Its all that faggy late-90's buttrock now, unlistenable trash.
I'll admit that there are a couple post-grunge bands I'm soft on, but it's not exactly "classic rock" material to me.
>And early post-punk stuff too.
I've been into post-punk and related or derivative styles from that era (New Wave, gothic rock, dream pop and shoegaze, etc.) since a few years after I got into metal. Killing Joke has been my favorite rock band ever since I heard them, and Joy Division had a big impression on me too.
>everyone can make personalized playlists, and thats the way it should be honestly. Music is the one thing where we should be in our little bubbles and branch out from the bubble to share with others what we like. People that only listen to top40, normalfaggot cattle, are beyond the pale to me.
Agreed.
>and all the songs they play about love and lovey-dovey songs are gay as fuck too.
Yeah, as a kid I stayed away from most vocal music and that was one of the big reasons why. Thankfully I can listen to love songs now in spite of the lyrics, but the overwhelming majority of them are just puerile and embarrassing. If I couldn't overlook that, I'd be missing out on a ton of songs I like. Most lyrics tend not to bother me except in certain cases, like if they involve self-righteous virtue signaling.
>Yes, or books. Music is so much more than just lyrics
As far as I'm concerned, well-written lyrics should be icing on the cake more than anything. "Hamburger Lady" by Throbbing Gristle is one that I consider a good example of that. It's the only piece of music that's ever given me a nightmare, and that was before I even read the lyrics. When I learned what the song was actually about, I thought the lyrics were haunting and fit it like a glove.

Also, I thought the Average White Band track was pretty good. Maybe I'll give that and a WAR album a download while I'm at it.

>>169165
>the spic is a major anti-natalist subversive within the young catholic demographic
<oh, so you're a neo-nazi. never had sex before?
>what? [Explanation that he's an anti-natalist, contributing to the eradication of a demographic in a more subtle but equally impactful way]
<sounds like…. you've never been laid then. checkmate.
Your irrelevant bitching hasn't addressed a single point. It's a shame I wasted my time trying to reason with you.
"Kill yourself" is my only advice.

>literal hardcore borderline-nun-tier traditional catholic women are riding the dating app cock carousel until 30 and then shitting out a kid with someone they settled with
Oy vey, sure they are. Sounds like you're the exact kind of impressionable retard that I was describing, that the homosexual spic's demagoguerey is ensuring never settles down and has a family.

>>169197
Bro, you are a virgin. Your go forth and multiply shit falls on deaf ears because you can't even multiply.

>>169203
Leon is based, of course he is.

>>169203
"nazi" could mean a billion things. What exactly did this Romanian do?

>>169205
Probably liked something about how letting sandniggers and faggots rape children is bad.

>>169217
He reposted pro Hitler, anti-immigration, and anti-trans stuff on instagram. This caused every women lusting after him/troon to go apeshit. Leon S. Kennedy is based.

>>169225
Poor guy became an instant incel.

>>169226
Being an incel is based.

>>169226
Hoes don't care what your political beliefs are if you're chad.

>>169228
Nope. Women care only about social esteem. It doesn't matter of the social norms are dysgenic, if they are esteemed, that is all women care about.

I was raped by Nick Fuentes and Sneako.

>>169247
kek

spic fedtues raped and murdered a girl in 2003

>>169250
That's Joe Scarboro

>>169250
>girl
I doubt that.

>>169253
you're right im sorry
he force-fed him xenoestrogens for a few months first before the raping

>>169168
>I'd be able to adjust to bigger bugs than those, but they'd probably give me a fatal heart attack.
Remember that pic people would post on /x/ bricks shitting images threads about that house in Australia with a spider in it the size of the whole wall? I legit passed out the first time I saw that pic. I've cured my arachnophobia now though but I had it as a kid. Centipedes are nasty agreed
>With the way things are going, our runaway technological development could be apocalyptic.
Nons incompetence is what will cause the downfall, we have planes falling out of the sky already because of BoeNig diversity hires. Only Whites and East Asians can maintain complex systems and handle complexity. Complexity besides how to navigate thru the welfare system, that is. Lul
>I have a tendency to explore specific musical rabbit trails while neglecting important styles or musicians I should know more about.
Listen to whatever you want don't feel the need to like you have to know about certain artists more than others. But I highly recommend old funk and soul music, some of its really good
>Generally I prefer '60s production better than the way records sounded in the '70s too, especially the bass and drums.
I think I'm the opposite, I like the fast and loose playing on the 70s stuff better
>ABBA
I never got into them. My grandad, rest his soul, was a huge fan though. I don't hate them, just not my cup of tea
>It reminds me of that awful midcentury trend of trying to jazz up old standards with "hip and modern" arrangements and swinging the melodies.
We still see this today only its 'decolonizing' everything and making everything a rap version. Black Snapes everywhere. Which is a maoist attack on history obviously and should be ignored whole cloth, called out when needed. Seeing the loxist vitriol of our world is 6,000,000 times more disgusting than corny corporate lounge covers of Led Zeppelin. But I agree with you that the timeless classics should be just left alone to be enjoyed. Its more rare than not some fresh new take on a thing comes out servicable and listenable/watchable and not just insipid crap that didn't need to be done.
>house music
Well, maybe I was too harsh, I don't hate ALL of it but I prefer other styles of electronic over it. I like a few songs by Orbital and a few misc. singles I've discovered on UK Garage mixes. You should check out UK Donk/scouse house, lul. Its got repetitive, driving rhythms. Ned house party with the young team, lul.
>Electronic dance music made after the '90s usually sucks and sounds soulless though.
Yeah I can't stand dubstep or EDM. It is very soulless. Thats what drugs and sex are, soulless hedonism for drones. You won't "find yourself" doing candyflips, tiffany, go sit in silence for awhile and close your legs. Remember that screencap from facebook people would post, on /mu/ mainly but it got some play elsewhere, of all those EDM fans replying to that Skrillex post, he posted a youtube link of Aphex Twin 'Flim' and all the commenters where going "bro, where's the DROP?!", "bruh, wtf is this lol". Philistines.. swine..
>It's still something I respect, but I feel like it had more potential as a genre than it ever really reached. It's way too inconsistent in quality. Dance music's standards have been getting lower and lower for generations.
I think it reached its peak in the 90's with IDM, drum and bass. The music had more complex rhythms and wasn't afraid to try weird things out. Do you like Future Sound of London? You should check them out also. Drum and bass is magical, the music is so optimistic and mellow.

>>169171
>>169171
I love Fields of the Nephilim, great band. Do you like Christian Death "Only Theatre of Pain"? Sisters of Mercy? I like 4AD record label and all those old goth bands. Well, most of them at least.
>Nirvana are fine, but the latter is extremely overrated relative to the actual quality of their work.
In Utero > Nevermind, IMO
>Alice in Chains is one of my favorite '90s bands
Same, they rule
>I'll admit that there are a couple post-grunge bands I'm soft on
I like Third Eye Blind's self titled album. I feel dirty lumping them in with the rest of those bands though. And the song "My Own Prison" by Creed.
>I've been into post-punk and related or derivative styles from that era (New Wave, gothic rock, dream pop and shoegaze, etc.) since a few years after I got into metal.
Hell yeah bro. I love all that too, especially New Wave and shoegaze. Ride, Oingo Boingo, Pale Saints, Thomas Dolby, love it all. Have you heard Cristina "Doll in the Box"? Unheralded gem. She did New Wavey-pop styles but had a connection to No Wave also somehow. Not to Swans, but she was connected to some of those other bands, don't remember which exactly. She made 2 solid little albums, 1 EP, then disappeared.
>Killing Joke has been my favorite rock band ever since I heard them, and Joy Division had a big impression on me too.
My nig. Those 2 bands were big influences on me as well. Do you like Minutemen? I was big into them for a time.
>Most lyrics tend not to bother me except in certain cases, like if they involve self-righteous virtue signaling.
Yeah I'm the same way, it takes me a few listens before I pick up on the lyrics and what they say. Some bands I like the instrumentals of them, but then the lyrics are wokie tankie trash. I can overlook it in most cases, but some bands are particularly aggro with it and I can't overlook it.

>>169171
Cont.

>"Hamburger Lady" by Throbbing Gristle is one that I consider a good example of that. It's the only piece of music that's ever given me a nightmare
I love dark ambient and scary music, I was a big contributor to a lot of those discussions back on the motherchan. That "music for the insane" /mu/ chart, lul. Hamburger Lady is unsettling for sure but I think there are others than top it. Have you heard "Trash" off of Peter Sotos Buyers Market? Kreng's album "L'Autopsie Phénoménale De Dieu"? I love Atrax Morgue, his music puts you in a really warped state of mind. I love him though. I've seen multiple people post about that Kreng album cover moving when they looked at it. I had that happen before as well, it scared the shit out of me. That album will put you at unease. I heard my computer speak my name out loud one day after that, it was eerie. Do you know Yoran's "Montparnasse" EP? Its ghost ambient. short little 15 mintue EP of an abandoned spirit playing mournful piano, its beautiful to me but I can see why people think its spooky. One of my favorite albums is Lustmord & Robert Rich's "Stalker". I've listened to a lot of noise, power electronics, dark ambient. Another good one is Nurse with Wound's "Soliloquy for Lillith". Or "Panoptikon" off Diamanada Galas's debut album. Or her live album "Plague MAss". Her voice is straight up out of this world, what a set of pipes on her holy hell. Actual Satanic music, full disclosure, but god what a voice. One song that I always bring up for spooky songs is "The Bends" by Mr. Bungle.
>Also, I thought the Average White Band track was pretty good. Maybe I'll give that and a WAR album a download while I'm at it.
Check out The Brothers Johnson "Winners" and I found this one on Archive.org randomly one day, Magic Sam Blues Band - Black Magic [1969]. Decent album. Do you know Dr. John? "Gris Gris"? Dr John shreds. Boz Scaggs "Lowdown". Tavares. WAR's first two albums when they were "Eric Burdon presents: WAR" are really funky too. And this album linked below I remember liking although its been a minute. I like Curtis Mayfield and James Brown too, always skip that black and proud song when it comes up though lul. Ohio Players is a personal favorite
https://musify.club/release/baby-huey-story-the-living-legend-1971-430135

>I should have specified that I like the more popularly-oriented bands from the '10s-'30s that serious jazz fans often aren't too fond of
Oh lol. I admiteddly don't know much jazz from that time period but would love to hear more about it.
>Listening to recordings from that era is a bit of an odd experience for me in that it's pop-oriented music that completely predates both the album era and performers being expected to come up with their own material.
Yeah it is strange hearing recordings from pre 1940's for me. You can hear it was a whole different world, it bleeds into the music almost. Hitler's defeat plunged us into a world of darkness and pain that was never meant to be.
>Since there tended to be a common pool of songs that musicians were drawing from, there's a lot of crossover in terms of pieces played.
I'm not used to that really, a lot of stuff I've listened to has been diffuse source material inspirations from all over the place haha.
>He's kind of sui generis for '30s jazz due to his idiosyncratic style with proto-exotica traits
That sounds really cool, I like exotica lounge music a lot.
>Then there's the whole later aspect of his career as an electronic music pioneer.
Yeah isn't it cool with artists can switch up and play wildly differnt styles like that?
>a lot of what I've heard of the Delta or Chicago blues bores me to tears
Same. I like a bit of blues rock, but I guess I would consider that a different genre wholly from blues. Jazz always interested me more, I've listened to a ton of jazz. You can run the gamut from stuff that sounds like just random noise to really catchy tunes to fusion blends of jazz-rock, metal-sounding stuff.. very versatile
>Overall though I don't get the appeal of most of it as a genre. Yeah, it was raw for its time, but I don't see it as very appealing when there's so much more out there now.
I think a lot of it is academic type White guilt liberal arts professors people in a mad dash to venerate their negrophilic saints, personally. The musicianship of jazz demands respect. Some blind, poor black man playing guitar badly and wailing about his ex breaking his heart is just sad man, I don't wanna gawk at that and huff his farts and elevate him to some undeserved cultural icon status! It's genuinely exploitative in some cases, not like whatever faux-oppresion these types cry about. But as we know, the left are enormous hypocrites that "cry out in pain as they strike you" like they're been taught. Its just depressing to listen to a lot of it.
>As far as old groid music goes, it bothers me that that style in particular is seen as being part of some ancient, venerable, and uniquely "authentic" tradition that commands respectability in a way few genres do.
Same because its really not that great and there were plently of old rock bands that could howl and scream better without making you wanna put a gun in your mouth! Its just depressing and gives you no catharis afterwards, just plain sad.

>>169169
Cont. - post above was meant for >>169169 as well

>Hearing white singers try to LARP as blind, poverty-stricken Delta slide guitarists is just cringeworthy. We have our own culture. We can take the good parts of other peoples' music and throw away the rest.
Agreed although I'd rather have LARPers of that sort than wiggers anyday of the week, lul. Yo yo yo
>Moondog
His music always makes me happy, it has such a cheerfulness to it that I love.
>Carlos Santana and WAR
Santana truly was a great guitarist, definitely check out some of his deeper cuts. WAR's albums are all great, one of my fav bands for sure. Their early stuff shreds. Its criminal that people only know their hits because they on the whole really know how to groove and lay down the funk
>I've never been able to get into drum and bass or jungle. I think part of it is because of how crazy and chopped up the breakbeats tend to be.
Theres slower albums too, its not all hard and fast, but I get what you mean. I think you may like some of the slower-paced more atmosphereic sounding D'n'B. And liquid D'n'B. See, I love jungle but some other styles of hard and fast electronic music I really dislike.
>Live at the Star Club, Hamburg
Phenomenal album.
>its intensity also blows away even most metal or punk musicians.
I know right? It took even metal a while to catch up to that level of intensity, wild. High energy stuff.
>I don't think any of the black ones were as great as they're made out to be. It's not they were bad, but I think they were just kind of one-trick ponies.
Yes they are just more specialists in general I think. Its for the best, really. Blacks playing rock and metal aren't as good, and I guess it goes the same for White rappers although I would personally disagree on a few points there IRT rap. Blacks all sound like groove metal or trying to do old rock 'n roll, and White rappers tend to have that backpacker lyrical style. Best for us to stick to what we're best suited for, methinks, although a one-off novelty album in a new style is welcomed here and there
>Chuck Berry
I don't get the hype behind him or Little Richard either
>A lot of their "pride" seems like a complete affectation from people trying to overcompensate too.
Yes for sure. The loudest blm activist has a White boyfriend. The dude in green and red beads has a cuckold fetish, etc etc. And they fucking hate each other, look at how often they kill each other. For a people so obsessed with pride, respect, etc they sure have none for themselves
>Jesse Lee Peterson actually made a comment about that once. Amazin'.
Did you see him on Sam Hyde's show? It was really funny lol. Amazin! Wild! Wow!
>There was also the Louisiana Spanish
Fair point, I forgot about them, yeah they were represented back in the day. Its hard to think of Louisiana as anything but French though. and black. Although with the travesty of today's France, whats even the difference anymore? Sad to see
>Swans Filth
Thats my favorite of their early work too. That and "Holy Money". I like the drone-doomy quality of Holy Money a lot. Check out their live album "Public Castration is a good idea" (lulzy name). Its really, really heavy. I love "Animus" off of SFTB. SFTB is one of the greatest albums of all time, I think, just masterful.
>Death in June
My favorite albums are All Pigs must die and The Rule of thirds. I like his more folky sounding stuff, but all his stuff rules. "Last Europa Kiss" and "Rule of Thirds" back-to-back on that album.. really great
>"Walked in Line" by Blood Axis
I love that song. I think Von Thronstahl covered it too. Blood Axis is one of my fav neofolk bands too.
>martial industrial
I found much of it disappointing as well and prefer the more folky sounding stuff. I like In Gowan Ring, Of the Wand and the Moon, The Moon lay hidden beneath a cloud. In Gowan Ring in particular, such whimsy, such uplifting music.
>more neofolk
I like neoclassical too. Do you know Nature and Organisation? Beautiful classical music with pagan motifs. I'm listening to Deutsch Nepal now. Tony Wakeford is good, Fire & Ice. With a name like Fire & Ice its hard to search their stuff on some places cuz its generic name lol. Theres a working one on rutracker I believe. I love Boyd Rice "Music, Martinis, Misanthropy" and "Hatesville!" albums a lot, and do you know the album "Pax Britannica" by Test Dept? A bit different than neofolk, but its heavy and majestic sounds. It sounds like what you'd imagine the soundtrack to an epic British naval battle, really badass, dripping with Englishness, that album blew me away first time I heard it. Also a big Current 93 fan. Dogs Blood Rising, Swatiskas for Noddy, IHASPFTW,,, I like all his stuff. There are a lot of smaller bands I have as well and enjoy, searching up neofolk/postpunk/industrial is great, lots of good more obscure stuff.

These links below are full label discogs of Old Europa Cafe and Cold Spring. Fantastic! A lot of the more obscure bands in these styles are hard to find working downloads links of. Check out Martyn Bates song "Bahnhofstrasse". I like dark ambient too. May have mentioned already, but I love SPK's "Zamia Lehmanni" album and there's some Controlled Bleeding's albums like Zamia Lehmanni. Hard to define the genre, I've seen it called tribal and chamber music, but I enjoy those albums a lot and its lead me to some really exotic sounding similar artists.

https://rutracker.org/forum/viewtopic.php?t=3126704
https://rutracker.org/forum/viewtopic.php?t=3155696

Nick Fuentes' alt account

This nigga finally made enough money to stop doing his show.
So much for the plan to inspire future politicians and educate them nightly on the latest propaganda.
Later suckers!

>>169865
Did he actually quit?

>>169866
No show in 8 days and 2 weeks ago he did the same thing because he "wasnt feeling it".
During the Iran war.
That he couldnt stop saying he was vindicated in predicting.
All the people calling him out as a grifter are the ones vindicated now.

>>169868
I have a feeling he'll be back to grift some more, he's young so whatever he has earned isn't gonna last him a lifetime.

>>169866
he caught AIDS from being a faggot and is taking time off to cope about it

>>169170
>Holy shit what happened to black music?
Blacks opted to let themselves go when whitey stopped keeping them in line.
>>169511
>I legit passed out the first time I saw that pic. I've cured my arachnophobia now though but I had it as a kid.
I had a thick book as a kid that featured a large photo of a tarantula, and I would always try to skip that section when paging through it because it would freak me out. I'm still prone to getting freaked out if I'm watching something and a spider suddenly appears on the screen. It's something I'd like to overcome.
>Listen to whatever you want don't feel the need to like you have to know about certain artists more than others.
I like to have a frame of reference for what other people are talking about, and there are some pretty conspicuous gaps in my knowledge. I only heard Blonde on Blonde like a year two ago, for example. Hearing a full album of Bob Dylan's material didn't give me any more appreciation of his music, but at least I can check it off my mental list.
>I think I'm the opposite, I like the fast and loose playing on the 70s stuff better
I prefer the way '60s drummers seemed a bit more restrained in regard to keeping the beat. It's like they were generally less prone to going all over the place and trying to show off (although they'd still use more fills than I'd like). For faster songs I like the kinds of driving rhythms that sort of fell out of favor in pop and rock for a while in the '70s, like the pounding four-on-the-floor "Glad All Over" sound. I think I like the '60s drum miking better too. There was less close miking and a more atmospheric room sound. I don't like how dry and dead '70s recordings often sound. I like my reverb. Of course there was still some great stuff, like how John Bonham started getting on Led Zeppelin IV, and I think the direction that things took in the latter half of the '70s was an improvement as far as drums go. I like drums that focus on booking along and holding down a track, whether the tempo is slow or fast, and things started moving back toward that philosophy with punk and disco. I've never been that big on The Beach Boys, but The Beach Boys Love You also comes to mind as an album from that period that I like as far as drums go. Songs like "Roller Skating Child" have a pretty beefy sound that are basically predecessors to the pounding drum production of the '80s, which I've always been a fan of. Still, I think I still might like the grody sound of 1967's "Heroes and Villains" better.

As for bass, I've started to appreciate the dull sound of flatwounds. Brightness is nice for distortion or effects, like an '80s chorus-y sheen, but I think I've come to prefer the more low-key rumble of a P-bass with flatwounds when bass is just doing the usual low-end support role. On records, anyway. I haven't tried the real thing yet.

I general I like the less hi-fi nature of '60s recordings.
>I never got into them. My grandad, rest his soul, was a huge fan though. I don't hate them, just not my cup of tea
I always put off listening to them because I only knew "Dancing Queen" and never really cared for it. What got me into them was Lush covering "Hey, Hey Helen" and checking out the original. I thought it was okay despite not liking the riff, so I decided to actually give them a chance. They're probably my favorite band from that era in terms of the amount of songs they've done that I like.
>I like a few songs by Orbital and a few misc. singles I've discovered on UK Garage mixes.
I've always thought the Green Album was pretty good.
>Remember that screencap from facebook people would post, on /mu/ mainly but it got some play elsewhere, of all those EDM fans replying to that Skrillex post, he posted a youtube link of Aphex Twin 'Flim' and all the commenters where going "bro, where's the DROP?!", "bruh, wtf is this lol". Philistines.. swine
Reminds me of this old screencap, which I think I got from /mu/ back in the day.
>I think it reached its peak in the 90's with IDM, drum and bass. The music had more complex rhythms and wasn't afraid to try weird things out. Do you like Future Sound of London? You should check them out also. Drum and bass is magical, the music is so optimistic and mellow.
I'm more of a downtempo guy than anything. Boards of Canada are probably my favorite overall musicians, even above Killing Joke. I love their chord progressions and the moods they're able to evoke. I've never really heard anyone else like them in that regard. They actually did a few tracks in the '90s that sounded inspired by jungle, although eventually they dropped it due to feeling like it felt like it was clashing with what they were going for. I actually like some of their experiments flirting with that style, "XYZ" excepted. I never knew the distinction between jungle and drum and bass, but going off the descriptions I think I'd like drum and bass better. I'm definitely more into slower drum rhythms for atmospheric pieces, but I liked the Rage Racer track you posted.

There's only one Future Sound of London track I've heard, but I couldn't tell you what it was. I've always meant to listen to one of their actual albums.

>>169513
>Do you like Christian Death "Only Theatre of Pain"?
I've always really liked "Romeo's Distress," but honestly the fruity vocals from Rozz Williams kind of turned me off the band a bit. Maybe I'd be able to overlook that now.
>Sisters of Mercy?
Yup. "Dominion/Mother Russia" is a track I seem to get tired of no matter how many times I hear it.
>I like Third Eye Blind's self titled album. I feel dirty lumping them in with the rest of those bands though. And the song "My Own Prison" by Creed.
My soft spots are for Days of the New, especially the first album, and Dosage and some other songs by Collective Soul. I remember hearing my brother listening to both those bands when I was younger (although I didn't know the names of either group), and so part of it might be a nostalgic thing. Back when I started listening to Days of the New I never figured that I'd like an acoustic rock band, but I honestly might like the first album more than most of the acoustic material from Alice in Chains. They've been accused of being an Alice in Chains ripoff group, but I'm not sure if it would matter to me even if they actually were. Dosage appeals to me for its hooks and pop rock sound, but I imagine it's just sappy corporate radio rock for a lot of people.
>Do you like Minutemen? I was big into them for a time.
No, and honestly I'm not sure if I've ever heard them or not. I was definitely aware of them, but I can't recall ever listening to them.
>Have you heard Cristina "Doll in the Box"? Unheralded gem.
No, but I just downloaded it.
>Some bands I like the instrumentals of them, but then the lyrics are wokie tankie trash. I can overlook it in most cases, but some bands are particularly aggro with it and I can't overlook it.
I came across an instrumental edit someone made of the first Rage Against the Machine album a while ago, and it was definitely an improvement. I've always hated Zack de la Rocha's whiny, petulant voice even aside from their gay political posturing.

>>169514
>Hamburger Lady is unsettling for sure but I think there are others than top it.
My experience with "Hamburger Lady" was looking it up after seeing it get compared to "Frankie Teardrop" by Suicide, thinking it was creepy, and then turning it off. It would pop into my head every so often, but having a nightmare once where it was playing was what freaked me out. I felt mentally scarred for about a week after that if I remember right , but I also appreciated the artistry involved to be able to create music that can create that kind of emotional effect.
>Have you heard "Trash" off of Peter Sotos Buyers Market?
I've always avoided Buyer's Market due to its reputation. Even back in the 4chan days I was hesitant to check it out, and now I've gotten a bit more squeamish about stuff like that. I used to like learning about true crime cases and gruesome topics along those lines, but these days it just seems to put me in a bad mood.
>Kreng's album "L'Autopsie Phénoménale De Dieu"? I love Atrax Morgue, his music puts you in a really warped state of mind. I love him though. I've seen multiple people post about that Kreng album cover moving when they looked at it. I had that happen before as well, it scared the shit out of me. That album will put you at unease. I heard my computer speak my name out loud one day after that, it was eerie. Do you know Yoran's "Montparnasse" EP? Its ghost ambient. short little 15 mintue EP of an abandoned spirit playing mournful piano, its beautiful to me but I can see why people think its spooky. One of my favorite albums is Lustmord & Robert Rich's "Stalker". I've listened to a lot of noise, power electronics, dark ambient. Another good one is Nurse with Wound's "Soliloquy for Lillith". Or "Panoptikon" off Diamanada Galas's debut album. Or her live album "Plague MAss". Her voice is straight up out of this world, what a set of pipes on her holy hell. Actual Satanic music, full disclosure, but god what a voice. One song that I always bring up for spooky songs is "The Bends" by Mr. Bungle.
I don't listen to much dark ambient. I did put on Lustmord as background music when I was reading Junji Ito stories a while ago, but I'm more into mellow-sounding styles of electronic music, like ambient or even New Age, outside of special cases like that. Stuff like Steve Roach and Hiroshi Yoshimura. I actually get overwhelmed by music a lot of the time and often just put on droning meditation music to help me relax if I don't want silence. It's a far cry from being a teenager who could multitask while listening to extreme metal.

I guess I like melancholic ambient, like a lot of the SAW II tracks from Aphex Twin (I prefer its highlights to those of the first album), but those are dark without being all that discordant.
>Check out The Brothers Johnson "Winners" and I found this one on Archive.org randomly one day, Magic Sam Blues Band - Black Magic [1969]. Decent album. Do you know Dr. John? "Gris Gris"? Dr John shreds. Boz Scaggs "Lowdown". Tavares. WAR's first two albums when they were "Eric Burdon presents: WAR" are really funky too. And this album linked below I remember liking although its been a minute. I like Curtis Mayfield and James Brown too, always skip that black and proud song when it comes up though lul. Ohio Players is a personal favorite
I'm not really familiar with any of that, but Gris-Gris sounds interesting. I thought Dr. John might be connected to Professor Longhair, and it turns out that's the case. It's been a long time since I've listened to Rock 'n' Roll gumbo, but I've always really liked "Doin' It" and that vivacious style of piano playing. It's like Latrino-influenced boogie-woogie.

>>169515
>Oh lol. I admiteddly don't know much jazz from that time period but would love to hear more about it.
The jazz that was popular with the white public listened to was generally adulterated compared to Dixieland jazz or what blacks were doing. It was largely poppy dance music with Tin Pan Alley songwriters penning the songs, and "trad jazz" snobs often will decry people like Paul Whiteman. The fact that it's watered down doesn't bother me in and of itself, since traits like improvisation being toned down make it more appealing to me.
>Yeah it is strange hearing recordings from pre 1940's for me. You can hear it was a whole different world, it bleeds into the music almost.
That's turned up to 11 with music from before the era of electrical recording. It sounds so foreign and genuinely ghostly. I like listening to recordings going all the way back to the 19th century. It might sound weird to say, but listening to stuff as lo-fi as Pure Fucking Armageddon in high school prepared me to be able to old Vess L. Ossman recordings and actually enjoy them. The hardest part of listening to music that old for me is the vocals. Back in the acoustic era, singers could sound like they were on TV hawking cleaning products over a commercial break. Someone like Gene Austin is much easier to take than, say, Billy Murray. Even the singing from after that time can take some getting used to though.

One of the things I like about recordings that are that old is just how much they feel like a window into a different world.
>Yeah isn't it cool with artists can switch up and play wildly differnt styles like that?
Raymond Scott was even working with Motown at one point. They were going to use his Electronium, but he never actually got anywhere with it.
>Some blind, poor black man playing guitar badly and wailing about his ex breaking his heart is just sad man, I don't wanna gawk at that and huff his farts and elevate him to some undeserved cultural icon status! It's genuinely exploitative in some cases, not like whatever faux-oppresion these types cry about.
I never really thought about that, but it is kind of patronizing now that you mention it. I get that fame is ultimately fleeting, but does anyone really believe that those guys are going to be celebrated as brilliant musical luminaries in another century or two? There's some old blues I like, but I'd rather listen to a person like W.C. Handy to the usual blues musicians people rave about. He's known as the Father of the Blues, but his ragtime-influenced proto-jazz style stands in stark contrast to the typical country blues everyone thinks of. Nobody seems to listen to the recordings of his music made during his heyday either.

>>169516
>Agreed although I'd rather have LARPers of that sort than wiggers anyday of the week, lul. Yo yo yo
True. At least the blues dorks can have genuine musical talent. A lot of old-school rock musicians fall into that category.
>His music always makes me happy, it has such a cheerfulness to it that I love.
I've been meaning to give his Moondog 2 another listen. One thing I find it interesting is how he inspired minimalist composers. He was a pretty big deal for some guy who dressed as a Viking and spent so much of his time on the street.
>Yes they are just more specialists in general I think. Its for the best, really. Blacks playing rock and metal aren't as good, and I guess it goes the same for White rappers although I would personally disagree on a few points there IRT rap. Blacks all sound like groove metal or trying to do old rock 'n roll, and White rappers tend to have that backpacker lyrical style. Best for us to stick to what we're best suited for, methinks, although a one-off novelty album in a new style is welcomed here and there
I feel like blacks can make really good session musicians and things along those lines but tend to lack in compositional ability compared to whites or other races. I'm not even talking about complexity necessarily but skill with non-rhythmic traits like melody. It's not like they're all incapable of writing well-rounded music, but it seems like something they've lost as time went on.

Speaking of melanated rock musicians, I remember …For the Whole World to See by Death being a good album that puts most punk musicians to shame. Going off my memory, I'd definitely take it over Bad Brains. I haven't listened to it in maybe a decade though.
>I don't get the hype behind him or Little Richard either
Yeah, I've never liked Little Richard's music. His voice doesn't really do anything for me (his Ric-Flair-style "woo!" noises are just comical) I kind of feel like The Sonics make him feel obsolete. I much prefer their version of "Keep A-Knockin'" over his and like them much more overall.
>Did you see him on Sam Hyde's show? It was really funny lol. Amazin! Wild! Wow!
Yeah, I actually watched it just for him.
>I like neoclassical too. Do you know Nature and Organisation? Beautiful classical music with pagan motifs. I'm listening to Deutsch Nepal now. Tony Wakeford is good, Fire & Ice. With a name like Fire & Ice its hard to search their stuff on some places cuz its generic name lol. Theres a working one on rutracker I believe. I love Boyd Rice "Music, Martinis, Misanthropy" and "Hatesville!" albums a lot, and do you know the album "Pax Britannica" by Test Dept? A bit different than neofolk, but its heavy and majestic sounds. It sounds like what you'd imagine the soundtrack to an epic British naval battle, really badass, dripping with Englishness, that album blew me away first time I heard it. Also a big Current 93 fan. Dogs Blood Rising, Swatiskas for Noddy, IHASPFTW,,, I like all his stuff. There are a lot of smaller bands I have as well and enjoy, searching up neofolk/postpunk/industrial is great, lots of good more obscure stuff.
I know the name Test Dept but have never listened to them. As for Boyd Rice, I haven't heard all that much of what he's done. My favorite release from him is actually Death's Gladsome Wedding, which is just a collection of old Iron Guard recordings. My favorite track I've heard that he actually made is his NON track "Cruenta Voluptas." It's both noisy and beautiful. I'm not big on the Blood & Flame version up on YouTube though.

And thanks for those links. I saved them in a text file.

Aarvoll finally brought the hammer down on Spicolas.
https://xcancel.com/Aarvoll_/status/2052579535749628139#m

Better late than never, I guess.