/dunk/ - Off topic

>>180166
go back to zzzchan you whiny fag

>>180175
Keep repeating the same shit over and over again like a bot, fag.

>>180167
I can fix Sylvia

>>180181
For me, it's Brooke. The best dark academia fighter.

*checks calendar*
Okay, it's not Gay Pride Month, so what is this, exactly?

>>180095
gays, niggers, and gay niggers

>>180084
My fetish is about desecration not denigration bruh.

>>180100
Niggers and gayers
Chicken-wing-eating players

>>180170
This.

>>180168
>you are going to le make it
I never said that, but do keep going with your delusions!

>>180170
>>180171
No.
>>180172
So you tell people they are too far gone while giving them advice but also think you yourself are not going to make it?

>>180173
I gave you advice to find peace within yourself.
Not to become a normalfag.

Self pity will just eat you up from the inside out and it's the direct consequence of wanting to become a normalfag, you should at least enjoy your time on this Earth and cherish yourself.

Not in a delusional way, no, just face reality and accept it.
Numb yourself to it and just enjoy the good moments in life.

I just watched The Edge and Breakdown because I hadn't seen them since I was a kid on TV (and I never saw them fully) and they popped up in my mind from time to time.

Pirated that shit in and had myself some whiskey and some pistachios.

It was a good time

>>179870
What are the advantages of Brownpill 2.0 compared to its original incarnation?

>>179871
A black dildo up the ass

Has Scott Greer managed to swallow it?

I miss the Brownpill, mateys. The Based Brownpill Spammer (tm) always seemed like a cool guy. There was a sovl to it that spamming retarded videos of mark's jewish ass just doesn't have.

There was actually an imageboard review site but I have since lost the link, it was interesting. Also remembered a site by an old school weeb.

These sites feature old-school 3DCGI made by /retro/ users:
https://grecomoran.neocities.org/
https://19100.neocities.org/

>>179988
LMAOOOOOOOOOOOOOOOOOOOOO at uz wh1teb0is

>>179997
Seethe crakkkas no matter how much u train u cant compete with black bvlls

>>180082
Shut up Nuzach, you're brown, not black.

Is Yakuza still alive?

>>179998
A gorilla tried to kill my father with a rock but my dog saved him.

>>179999
Good boy.

>>180005
female.

>>180019
Good female boy.

>>176681
he was yakuza's favorite porn actor

>>176692
I only saw 2 movies with that dude.
But let be honest mdyd-908 was a masterpiece. That movie really captured the sufferince of men in 2026 but the movie was made 16 years ago.

>>163372
A black guy slapped his cock on Gahoole face theory.
This is why he hate black people.

Save

>>176696
post a link faggot

Wheel looked too far back and tiller makes more sense.

I'll hafta make a carboard and stick version first to make sure I don't waste my money getting the shape wrong with all the pvc, wooden dowels, coroplast, etc. If it looks bad my employer will hate it but if it looks too good, like a mini rickshaw or tiny car, the cops will hassle me. Such a catch 22…but there is no reason to not do it with all the moneys I've got when I hate mandatory insurance and never travel. I'm thinking of getting a 330 usd tricycle that has a child seat and or shopping trailer behind the normal seat and sit inside that while removing the normal seat where the tiller will be. I could anchor it there and add a lever but probably won't. You know, a T pipe and drill the tiller on the right of the T there, if you see how that'd geometrically make sense to bolt it as a handle so it'd be more like a fighter jet and less like a boat tiller. It'd just make it harder to steer though. A tiller bar will let me reach easier is all, what with my being so far back and who needs handlebars when you can have the fork 90 degrees in the wrong direciton and just slam in a galvanized steel plumbing pipe, or from a fence I might take one, tbh; it depends on what will fit. A T connected to another would be more comfortable than a joystick that can't go up and down though…and the throttle being on one side of it would be nice and the blinker/light conrols as I normally do that anyway, keeping it near my fingers/thumbs. Why is plexiglass so expensive? It'd be hot as hell due to the greenshouse effect but making a polygonal and transparent velomobile would be neat rather than it be mostly coroplast and pvc/dowels. Maybe I will coat it in a mylar layer rather than paint it yellow. Some mylar will be used regardless for fake chrome. You know, like, because I'll totally get right on doing this any day now…

any day now

>blursed window/roof/shell angle

Slightly inproved version

>>179951
I played Dune 2000 first (I had both the PC and PlayStation versions) and still like the soundtrack, but I much prefer the FM timbres of Dune II playing on an OPL-based sound device to faux-orchestral sounds. The fact that it doesn't sound like physical instruments is exactly why I like it. I've never liked the sound of MT-32s and Sound Canvases for that reason. I like my sample-based synthesis to be grodier and more lo-fi, like earlier samplers or what you'd hear in old Super Nintendo or Amiga games.

Rompler synths from the late '80s and '90s can make incredible pad sounds though. This is one of my favorite digital synth presets of all time. Frank Klepacki definitely joined in on the Roland JV-1080 craze back in the day. He outright named the "Terminate" track from Red Alert after the JV-1080 preset called "Terminate" that you hear at the beginning of the track.

t. synth aficionado

>>179954
Yeah, there's some really cool stuff made with those older instruments that you simply can't replicate with modern music making tools.
It's otherworldly, and it transports you to a world outside reality, which is what every good videogame does.

not FM, but please listen to MoozE

>>179955
>Yeah, there's some really cool stuff made with those older instruments that you simply can't replicate with modern music making tools.
I wish more synth companies would treat old synthesizers like timeless instruments, the way companies like Fender or Gibson treat guitars. Thankfully Behringer has come along to revive a lot of older synths, typically with a high degree of accuracy. Moog also brought back the Model D and Sequential the Prophet-5, but the upside of Behringer's chink manufacturing is that it's able to drastically lower the cost of vintage-style instruments for people who otherwise might not be able to afford them. It's a travesty so many classic synths went out of production to begin with. I get that the profit margins are pretty low and that there's a high degree of engineering knowledge required compared to building an acoustic instrument, but they could have at least been taking cheap old digital designs and building upon them. It wouldn't have been that hard for Yamaha to have taken their FM synths, put knobs on them for easy programming, and shoved analog low-pass filters inside to spice things up. That's sort of similar to what the SY77 and SY99 did, but those seem like they would have been a headache to program without an external editor. And besides that, they let them go out of production.

Synthesizer builders had been spinning their wheels focusing on bland workstation crap for the longest time before they began to get the memo that what people really wanted was synths with good sounds and intuitive interfaces. When it comes to subtractive synthesis with basic waveforms, it's hard to beat the classics. The humble Junos still offer more immediate inspiration to people decades later than anything Roland's been putting out in the last 25 years or more. Roland is a company that still chooses to cater to wedding-band keyboardists or whoever than all the synthesizer enthusiasts clamoring for rereleases of the classics.
>It's otherworldly, and it transports you to a world outside reality, which is what every good videogame does.
One problem to me with more modern stuff is that it seems too focused on mundane naturalism instead of style and abstraction.

By the way, I've always loved those bloopy pulse-wave arpeggio sounds that European composers used in olPost too long. Click here to view the full text.

>>179956
>but they could have at least been taking cheap old digital designs and building upon them.
That's what I don't understand, you could easily produce those models for very cheap with decent profit margins.
Same with CRTs
>a company that still chooses to cater to wedding-band keyboardists or whoever than all the synthesizer enthusiasts clamoring for rereleases of the classics.
I mean it makes sense, they want industrial level sales and that's how they get them, especially nowadays where most corpo music is just a drum machine and some ghetto nigger fresh off the hood.
>One problem to me with more modern stuff is that it seems too focused on mundane naturalism instead of style and abstraction.
I think you've been hearing too much dungeon synth, and I agree, but if you check out the old school Demoscene, they still release cool stuff.
>By the way, I've always loved those bloopy pulse-wave arpeggio sounds that European composers used in old games like those
Jeroen Tel is uses those all the time, check out his stuff, he worked on a ton of Commodore and Amiga European stuff back then.

You might like this archive
https://archive.org/details/acrouzet_video_archive

>>179957
>That's what I don't understand, you could easily produce those models for very cheap with decent profit margins. Same with CRTs
I really wish I could just get a brand new CRT TV for playing old games. Even if it came out of some niche small-scale operation with marked-up prices.
>I mean it makes sense, they want industrial level sales and that's how they get them, especially nowadays where most corpo music is just a drum machine and some ghetto nigger fresh off the hood.
That's something I definitely understand, but it's just too bad they don't take one for the team and emphasize quality over quantity. The rompler stuff out there now seems inferior to the old stuff if you want to get the old sounds (which is odd because you'd think the originals being digital would make them easier to imitate), and throwing digital emulations of analog synths in boxes instead of just remaking them in a way true to the original hardware is just kind of lame. Even if you're able to make a 1:1 recreation that nails the original sounds in every way imaginable, there's something about analog hardware that I find more inspiring from a mental standpoint when compared to digital imitations of the same thing. It might be a placebo, but placebos have real effects.
>I think you've been hearing too much dungeon synth, and I agree, but if you check out the old school Demoscene, they still release cool stuff.
I actually don't listen to much dungeon synth. I've heard stuff like Depressive Silence and Secret Stairways, but it doesn't appeal to me the way the kind of '90s game music that makes use of similar timbres does.
>Jeroen Tel is uses those all the time, check out his stuff, he worked on a ton of Commodore and Amiga European stuff back then.
I'm a bit familiar with him but not especially so. I downloaded a bunch of Commodore 64 music a while ago, and he was one of the people whose work was included.